analogue blogue

Cactus - Restrictions Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 765 MB / 216 MB | magnet + mega + rs | Rock Original pressing mastered by Robert Ludwig Restrictions is the third and the last album by the original line-up of the American hard rock band Cactus, released in 1971 under the Atco label.

Ted Greene - Solo Guitar Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 595 MB / 120 MB | magnet + mega | Jazz PMP A-5010 (First Pressing) Chances are that most jazz fans may not have heard of jazz guitarist Ted Greene, though it is not for his lack of abilities.

Preston Reed - Pointing Up Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 826 MB / 230 MB | magnet + mega | Jazz Flying Fish - FF-244, first pressing, first play (sealed copy) Pointing Up is the second release from Preston Reed. "Widely thought of as the world's most gifted guitarist" - Total Guitar

Miles Davis - The Man With The Horn Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 1,146 MB / 330 MB | magnet + mega + RS | Jazz Columbia ‎– HC 46790 Half-Speed Mastered - Legacy Rip / Re-post The Man with the Horn is an album released by Miles Davis in 1981, featuring drummer Al Foster, saxophonist Bill Evans, guitarists Mike Stern and Barry Finnerty, and others. It was Davis's first new release since 1975, following a six-year reclusive retirement.

Bob Dylan - World Gone Wrong Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 941 MB / 271 MB | magnet + mega + RS | Folk Columbia ‎– 474857 1 European Pressing Like its predecessor Good as I Been to You, World Gone Wrong was recorded to fulfill the terms of his January 18, 1988, contract. It would be the final album released under that contract.

Son Volt - Trace Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 927 MB / 253 MB | RS + mega | Alt-Country Warner Bros 9 46010-1 Original US Pressing [legacy rip. re-post] Trace is the first album by Son Volt, released in 1995. The band was formed the previous year by Jay Farrar after the breakup of the influential alt-country band Uncle Tupelo. The album reached #166 on the Billboard 200 album chart and received extremely favorable reviews. According to Allmusic, "Throughout Son Volt's debut, Trace, the group reworks classic honky tonk and rock & roll, adding a desperate, determined edge to their performances. Even when they rock out, there is a palpable sense of melancholy to Farrar's voice, which lends a poignancy to the music." The album was in the top 10 of Rolling Stone's 1995 critics' list.

Ash Ra Tempel VI | Manuel Gottsching - Inventions For Electric Guitar Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork Spalax 14145 (1997 reissue)  [ legacy rip. re-post ]  | RS + Mega This album is sometimes credited to Ash Ra Tempel, but the music was composed and performed by Manuel Göttsching alone. All sounds were created with guitar, but Göttsching's use of echo, delay, and assorted treatments give these pieces the flavor of sequenced synthesizer music, occasionally reminiscent of Tangerine Dream's work from the period.

Bob Dylan - Good As I Been To You Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 1.1 GB / 306 MB | magnet + mega + RS | Folk Columbia COL 472710 1 European Pressing Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released in November 1992 by Columbia Records.

Thelonious Monk - Monk's Dream Vinyl rip in 24-bit / 96kHZ [and redbook] FLAC + artwork 980 MB / 272 MB | magnet + mega | Jazz Columbia CL-1965 Original 2-eye Mono Pressing Monk's Dream is the first album jazz musician Thelonious Monk released on Columbia Records. It was issued in 1963. Monk's Dream is the Columbia Records debut release featuring the Thelonious Monk Quartet: Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums). Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years. Although he would perform and record supported by various other musicians, the tight -- almost telepathic -- dimensions that these four shared has rarely been equalled in any genre. By the early '60s, bop had become considered passé by artists as well as fans looking for the next musical trend. This is coupled with the fact that discerning Monk fans would have undoubtedly recog